A recent initialism emerged a few months after the start of the military campaign against Gaza. Referred to as WCNSF, it signifies “Wounded child, no surviving family”. This designation is found only in Gaza, according to health professionals such as paediatricians. Typically, it is rare for doctors to treat a minor who has seen the death of their entire family. Yet, there has been nothing “normal” about the genocide in Gaza, where entire family lineages have been obliterated and the number of child amputees exceeds that of any other place in the world. No sense of normalcy in numerous doctors returning from a devastated terrain with testimonies of children being deliberately targeted.
Conditions in Gaza persist as an utter catastrophe. Critical healthcare resources are not getting in those in need, and international watchdogs assert that violations are still being committed. Authorities disputes these allegations, consistent with how it disavows everything it is charged with. But while young survivors are now enduring frigid conditions in temporary shelters, there is a piece of uplifting information: apparently nothing is going to stop the Eurovision song contest from advancing its professed goal of “unity and cultural exchange.” Eurovision will continue to extend a welcoming platform for Israel, even though at least four European countries have now pulled out in protest. And this, we are told, is what global togetherness looks like.
Historically, Eurovision excluded Russia from participating in 2022 due to the “grave situation in Ukraine”. However, the situation in Gaza seems completely different.
Disregard the reality that Israel was criticized for irregular participation methods last year in what appears to have been an effort to manipulate Eurovision. Set aside the news that a young child was reportedly killed in Gaza just days ago. Pay no mind to the evidence that attacks by settlers and coerced removal in the West Bank have increased dramatically. Overlook the situation that foreign reporters are still blocked from freely reporting in Gaza. None of this, apparently, should be seen as a barrier of Eurovision’s cherished spirit of unity.
The contest turns 70 next year – roughly two times the current lifespan of an individual in Gaza at present. The broadcast will air, but it will likely never recapture the pure, unadulterated fun it historically embodied. An institution that initially championed togetherness has transformed into a transparent instrument to sanitize military aggression.
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Kevin Woods
Kevin Woods