The elderly woman from Spain who achieved global fame for her poorly executed restoration attempt on a valuable Jesus Christ fresco has passed away at the age 94.
Cecilia Giménez, from the town of Borja in northeast Spain, rose to prominence thirteen years ago after she undertook to restore a century-old fresco known as Ecce Homo housed within her local church.
Giménez's handiwork spread across the internet and was dubbed "Monkey Christ", because the resulting depiction of Christ's head bearing a resemblance to a hairy monkey.
The nonagenarian's passing was announced by the town's mayor, Eduardo Arilla, via an online statement, where he described her as a "great lover of painting from a very early age".
"Rest in peace Cecilia, we will always remember you," Arilla wrote.
Arilla further referenced Giménez's "now-legendary restoration of Ecce Homo" in the summer of 2012, which "because of the deteriorated condition it presented, Cecilia, with the best intentions, chose to apply new paint over the original".
The Ecce Homo ("This is the Man" in Latin) painted by nineteenth-century artist Elias Garcia Martinez had resided for more than a century in the Santuario de la Misericordia close to Zaragoza.
At the time, Giménez, who was 81 years old, explained that church members had "always repaired everything here", and that she had been given the go-ahead from the local priest to proceed.
She added at the time that anyone who came into the Church would have observed she was painting over the existing artwork.
The aftermath of the repaint job spawned the "Ecce Mono" meme and transformed the previously sleepy town of Borja rapidly turn into a major visitor attraction.
The municipality, which had in the past welcomed just five thousand tourists per year, received over 40,000 tourists by 2013, and generated more than €50,000 for charity from the attention.
Today, local authorities say that between 15,000 and 20,000 tourists travel to Borja each year to view the famous painting, which is now protected by a protective shield of glass.
After recovering from the initial backlash, with support from local residents and others globally, Giménez later stage an exhibition of her paintings featuring twenty-eight of her own works.
She was commended by the mayor for her kind-hearted nature and years of dedication to the church.
Ultimately, what began as a well-intentioned but unsuccessful art repair created an unlikely cultural icon and brought remarkable attention and resources to a small Spanish town.
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